Agata Madejska | Selected works

Mistakes Were Made, 2018/19, fabric, steel, vinyl, speakers, cables, media player, 380 × 215 × 240 cm,
audio (en) duration: 15:00 min. Installation view, Mother Mercury, Art Night London, 2019.

Installation view, ∼ =, Impuls Bauhaus, Zeche Zollverein, Essen, 2019.
Mistakes Were Made, 2018/19, fabric, steel, nylon fishing line, vinyl, speakers, cables,
media player, 600 × 200 × 330 cm, audio (de) duration: 15:45 min.

RISE, 2018. Installation view, ∼ =, Impuls Bauhaus, Zeche Zollverein, Essen, 2019.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

Installation view, Mistakes Were Made, 2018, fabric, steel, nylon fishing line, vinyl, speakers,
cables, media player, 600 × 200 × 330 cm, audio (en) duration: 15:00 min. Installation view
Modified Limited Hangout at Kunsthalle Wilhelmshaven, 2018.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

Mistakes Were Made, 2018, fabric, steel, nylon fishing line, vinyl, speakers, cables, media player, 600 × 200 × 330 cm,
audio (en) duration: 15:00 min. Installation view Modified Limited Hangout at Kunsthalle Wilhelmshaven, 2018.

RISE 003, 2018, digital c-type print, diasec matt, 160 × 121 cm.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

RISE 003 & RISE 002, 2018, digital c-type print, diasec matt, 160 × 121 cm & 160 × 116 cm.

Mistakes Were Made, 2018, fabric, steel, nylon fishing line, vinyl, speakers, cables, media player, 350 × 200 × 300 cm,
audio (d) duration: 15:45 min. Installation view Modified Limited Hangout at Kunsthalle Wilhelmshaven, 2018.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

Simon says, 2018, coated aluminium, dimensions variable.

RISE 001, 2018, digital c-type print, diasec matt, 160 × 121 cm.

Loser's Loss, Winner's Gain, 2018, coated aluminium, 200 × 25 × 200 cm.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

Simon says, 2018, coated aluminium, dimensions variable.

Be Water My Friend, fabric, dimensions variable. Installation view at Kunsthalle Wilhelmshaven, 2018.

Where should we turn to in order to arrive where exactly?, 2018, poster, aluminium, 49 × 67 cm. Texts: Nina Franz, Rebekka Ladewig, Eva Wilson, Design: Studio Mathias Clottu.

Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018

Voyage, Voyage, 2018, carpet, dimensions variable; Technocomplex, 2017, light sensitive coating on pewter.
Installation view, Modified Limited Hangout, Kunsthalle Wilhelmshaven, 2018.

Technocomplex 007, 2017, light sensitive coating, pewter, 57 × 65 × 1 cm.

Technocomplex, 2017, light sensitive coating, pewter, installation view at Kunsthalle Wilhelmshaven, 2018.

Technocomplex 003, 2017, light sensitive coating, pewter, 62 × 66 × 1 cm.

Technocomplex 006, 2017, light sensitive coating, pewter, 55 × 67 × 1 cm.

Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.

Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm.

Mistakes Were Made, 2018, light sensitive emulsion on paper, perspex, steel, 20 × 31 cm & 20 × 34 cm.
Installation view Modified Limited Hangout, cabinet at Kunsthalle Wilhelmshaven, 2018.

Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, light sensitive fabric, grey cotton and polyester fabric, steel rods, each 360 × 300 cm.
Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.

Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, grey cotton
and polyester fabric, steel rods, each 360 × 300 cm. Installation view, Place. Tłomackie 3/5,
Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.

Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017. Photography: Aleksandra Loska.

Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017, light sensitive fabric,
steel rods, 360 × 300 cm. Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017.
Photography: Aleksandra Loska.

Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017.
Back: Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm. Installation view,
Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.

Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm. Installation view, Place.
Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.

Every City Has Its Echo, 2017, giclée print on aluminium, 100 × 130 cm.

Front: Near Here, Not Here, Come Here, Over Here, Right Here, Here We Are, 2017. Back: 18 Minutes, 2017, aluminium, 200 × 125 × 0,5 cm.
Installation view, Place. Tłomackie 3/5, Jewish Historical Institute, Warsaw, 2017. Photography: Aleksandra Loska.

18 Minutes, 2017, aluminium, 200 × 125 × 0,5 cm. Photography: Aleksandra Loska.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Tender Offer (Aldgate), 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 98 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

London Stock Exchange I, 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 260 cm.

London Stock Exchange I (detail), 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 260 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Tender Offer (Victoria Embankment I), 2017, giclée print on Canson Infinity Fibre Rag, 105 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Technocomplex 009, (detail) 2017, light sensitive coating, pewter, 55 × 63 × 1 cm.

Technocomplex 009, 2017, light sensitive coating, pewter, 55 × 63 × 1 cm.

Tender Offer (Goswell Road), 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 107 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Technocomplex 002, 2017, light sensitive coating, pewter, 57 × 68 × 1 cm.

Technocomplex 005 (detail), 2017, light sensitive coating, pewter, 58 × 68 × 1 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Tender Offer (London Bridge II), 2017, giclée print on Canson Infinity Fibre Rag, 112 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

DeBeers I, 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 260 cm.

DeBeers I (detail), 2017, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 260 cm.

Tender Offer (Blackfriars), 2017, giclée print on Canson Infinity Fibre Rag, 95 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Tender Offer (Victoria Embankment II), 2017, giclée print on Canson Infinity Fibre Rag, 103 × 130 cm.

Installation view, Technocomplex, Parrotta Contemporary Art, Stuttgart, 2017.

Installation view, Johanna Jaeger & Agata Madejska, Kunstraum griffelkunst, Hamburg, 2016.

Retouch I-60x60, concrete, iron, 40 × 40 × 7 cm, 2016.

For Now (Folly), 2015, concrete, photochromic paint, 100 × 6 × 6 cm, different states of exposure.

For Now (Folly), 2015, concrete, photochromic paint, 100 × 6 × 6 cm, active.

Installation view, Contemporary Art from Poland, ECB, Frankfurt, 2016.

see-saw (Folly), 2014, stainless steel, 120 × 12,5 × 0,3 cm. Installation view Ectopic Screening, Galeria Salon Akademii, Warsaw, 2016. Photography: Szymon Rogiński.

Installation view, Kingly Things, Coco Crampton & Agata Madejska at Chandelier Projects, London, 2015.

FACTUM, 2014, UV-print on perspex, paper, powder-coated steel frame, 50 × 100 × 60 cm (one of sixteen).

Installation view, Kingly Things, Coco Crampton & Agata Madejska at Chandelier Projects, London, 2015.

Economist II, 2015, digital print.

Installation view, Economist II, 2015, light box commission, ProNumb, London, 2015.

From Now On (Folly), 2014, photosensitive emulsion, jesmonite, 160 × 250 cm.

unexposed
first day of exposure
5th day of exposure

Installation view, Form Norm Folly, Krefelder Kunstverein, 2014.

The Economist, 2014, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 210 cm.

The Economist (detail), 2014, giclée print on Hahnemühle Photo Rag Ultra Smooth, 150 × 210 cm.

see-saw (Folly), 2014, stainless steel, 120 × 12,5 × 0,3 cm.

Installation view, Form Norm Folly, Krefelder Kunstverein, 2014.

Short stories by Anna Gritz, Gareth Bell-Jones, Jonathan P Watts and Carsten Tabel. Printed on the occasion of the exhibition Form Norm Folly, Krefelder Kunstverein, 2014.
Edited by Agata Madejska, design by Mathias Clottu.

Installation view, einszehn, zweizehn, dreizehn: Sunah Choi & Agata Madejska, Kunstverein Friedrichshafen, 2014.

Yet Most Beautiful is the Bank of our Vistula, 2013, giclée print, 16 × 20 cm. Edition for kestnergesellschaft, 25+2AP.

Installation view, Made in Germany Zwei, kestnergesellschaft, Hannover, 2012.

Installation view, Twisted Entities, Museum Morsbroich, Leverkusen, 2013.

Here and There, 2011, lightjet c-type print on Forex, 13 × 33 cm. Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

81-86, 2010, lightjet c-type print on Forex and waxed MDF, 119 × 167 × 5 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Crystal Display, 2010, lightjet c-type print on Forex & varnished MDF, 138,5 × 180 × 5 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

46-48, 2010, lightjet c-type print on Forex and waxed MDF, 119 × 130 × 5 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Memorial A–Z, 2013, 34 panels, giclée prints on aluminium, 67 × 650 cm. Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Thereabouts, 2012, lightjet c-type print on Forex and waxed MDF, each 55 × 60 × 5 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

1906, 2012, lightjet c-type print on Forex and waxed MDF, 119 × 130 × 5 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

25-36, 2010, lightjet c-type print on Forex and varnished MDF, 160 × 220 × 5 cm.

Installation view, Conflict, Time, Photography, Tate Modern, London, 2014.

Installation view, Conflict, Time, Photography, Albertinum, Dresden, 2015. Photo: Chloe Dewe-Mathews.

Entrance, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang.
Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Wall I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Image I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang.
Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Corridor, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Image II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang.
Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Corner, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Image III, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Space I, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang.
Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Space II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang. Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Wall II, 2011, part of the photo essay Temporary or Permanent, published in: Museum Folkwang.
Die Architektur, Edition Folkwang, Steidl, Göttingen, 2012.

Installation view, Der Mensch und seine Objekte, Museum Folkwang, Essen, 2012.

Book launch Agata Madejska, published by Distanz, Berlin, 2013.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Ideogram 001, 2008, lightjet C-type print on aluminium, 60 × 46 × 4 cm.

Ideogram 003, 2009, lightjet C-type print on aluminium, 60 × 46 × 4 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Ideogram 002, 2009, lightjet C-type print on aluminium, 60 × 49 × 4 cm.

Ideogram 004, 2008, lightjet C-type print on aluminium, 60 × 45,5 × 4 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Ideogram 005, 2008, lightjet C-type print on aluminium, 60 × 46,5 × 4 cm.

Installation view, Parrotta Contemporary Art, Stuttgart, 2013.

Ideogram 006, 2008, lightjet C-type print on aluminium, 60 × 44 × 4 cm.

Ideogram 007, 2008, lightjet C-type print on aluminium, 60 × 48 × 4 cm.

Ideogram 008, 2009, lightjet C-type print on aluminium, 60 × 49 × 4 cm.

Installation view, Gute Aussichten: Junge Deutsche Fotografie, Haus der Fotografie, Deichtorhallen, Hamburg, 2008.

kosmos # 1, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 54,8 × 4 cm.

kosmos # 2, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 51,1 × 4 cm.

kosmos # 3, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 41,8 × 4 cm.

kosmos # 4, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 54,3 × 4 cm.

kosmos # 5, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 38,3 × 4 cm.

kosmos # 6, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 50,3 × 4 cm.

kosmos # 7, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 57,3 × 4 cm.

kosmos # 8, 2007, lightjet c-type print, dibond aluminium, aluminium tray frame, 41,8 × 55,8 × 4 cm.

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